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What did the Crystal Palace exhibition in the history of industrial design? Analyzes the characteristics of the building provided herein in relation to architectural innovations that are introduced in the s. XIX. I need this for a school essay, please help me, thanks!!
And got the following answer:
The Crystal Palace was a cast-iron and plate-glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's 990,000 square feet (92,000 m2) of exhibition space to display examples of the latest technology developed in the Industrial Revolution. Designed by Sir Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m). Because of the recent invention of the cast plate glass method in 1848, which allowed for large sheets of cheap but strong glass, it was at the time the largest amount of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights, thus a "Crystal Palace". The Commission in charge of mounting the Great Exhibition was established in January 1850, and it was decided at the outset that the entire project would be funded by public subscription. An executive Building Committee was quickly formed to oversee the design and construction of the exhibition building, comprising Isambard Kingdom Brunel, Robert Stephenson, renowned architects Charles Barry and Thomas Leverton Donaldson, the Duke of Buccleuch and the Earl of Ellesmere, and chaired by William Cubitt. By 15 March 1850 they were ready to invite submissions, which had to conform to several key specifications: the building had to be temporary, simple, as cheap as possible, and economical to build within the short time remaining before the Exhibition opening, which had already been scheduled for 1 May 1851. At this time, Paxton was chiefly known for his celebrated career as the head gardener for the 6th Duke of Devonshire at Chatsworth House; by 1850 he had become a preeminent figure in British horticulture and had also earned great renown as a freelance garden designer - his works included the pioneering public gardens at Birkenhead Park which directly influenced design of New York's Central Park. At Chatsworth, Paxton had experimented extensively with glasshouse construction, developing many novel techniques for modular construction, using combinations of standard-sized sheets of glass, laminated wood, and prefabricated cast iron. The "Great Stove" (or conservatory) at Chatsworth (built in 1836) was the first major application of Paxton's now-famous ridge-and-furrow roof design, and was at the time the largest glass building in the world, covering around 28,000 square feet (2600 sq.m.). A decade later, taking advantage of the availability of the new cast plate glass, Paxton further developed his techniques with the Chatsworth Lily House, which featured a flat-roof version of the ridge-and-furrow glazing, and a curtain wall system that allowed the hanging of vertical bays of glass from cantilevered beams. The Lily House was built specifically to house the giant Victoria amazonica waterlily which had only recently been discovered by European botanists; the first specimen to reach England was originally kept at Kew Gardens, but it did not do well. Paxton's reputation as a gardener was so high by that time that he was invited to take the lily to Chatsworth; it thrived under his care and in 1849 he caused a sensation in the horticultural world when he succeeded in producing the first amazonica flowers to be grown in England (his daughter Alice was famously drawn for the newspapers, standing on one of leaves). The lily and its house led directly to Paxton's design for the Crystal Palace and he later cited the huge ribbed floating leaves as a key inspiration.